Since 2022, Lotus L. Kang has used greenhouses to tan her ‘skins’: great sheets of unfixed, light-sensitive film that she bruises into blues, purples and oranges under the sun. Normally handled in ...

Christine Sun Kim, ‘Degrees of Deaf Rage’, 2018, ‘All Day All Night’, 2025, exhibition view. Courtesy: Whitney Museum of American Art, New York; photograph: David Tufino As someone who only speaks ...

LA There will be a beautiful cafe run by the newspaper Die Zeit and we’re intending to organize readings, parties and talks, ...

With his Kunsthalle Zürich show open, the artist joins Hannah Black to discuss distrusting circles, inviting chance and the ...

The artist introduces her fleshy sculptural practice and takes a trip from the Garment District to SoHo, sourcing materials ...

I need a new word. The trouble with calling these works ‘paintings’ is that the term cannot convey or contain what Jack Whitten was doing with paint. The pieces on view in ‘The Messenger’ – Whitten’s ...

Rindon Johnson, ‘Why tell a dead man the future’, 2025, exhibition view. Courtesy: the artist and Cultuurcentrum Strombeek, Brussels; photograph: We Document Art Seven mahogany grandfather clocks line ...