The mid-to-late 70s and early 80s inaugurated a period of low-brow, teasy, R-rated sexy, US-made teen comedies (horror films not usually included) with gratuitous nudity, mindlessly weak plots, and ...

Horror Films are unsettling films designed to frighten and panic, cause dread and alarm, and to invoke our hidden worst fears, often in a terrifying, shocking finale, while captivating and ...

Stanley Kubrick's landmark, science fiction classic has become the best science-fiction film of all time about exploration of the unknown - it was also an unconventional horror film about how ...

Definition of MacGuffin (or McGuffin): The famed director Alfred Hitchcock often capitalized on a gimmicky plot element to catch the viewer's attention or serve as a distraction - dubbed a McGuffin ...

The winners are listed first, in CAPITAL letters, in each category.

Greatest Opening Film Lines and Quotes: These are many of the best-known opening lines, fade-ins, and first words of dialogue heard throughout cinematic history - the initial opening words of films ...

Oscar® and Academy Awards® and Oscar® design mark are the trademarks and service marks and the Oscar© statuette the copyrighted property, of the Academy of Motion Picture Arts and Sciences. This site ...

The 400 Nominated Films (for the 10th Anniversary Edition) were feature-length fictional movies produced between 1912 and 1996 with newly-eligible films from 1996 to 2006.

Directed by co-writer Abram Room, this comedic, modern love-triangle silent film drama was considered a Soviet version of Ernst Lubitsch's Design For Living (1933), and had hints of Francois ...

The American Film Institute in Los Angeles, California, in mid-June 2000 selected America's 100 Funniest Movies with a blue-ribbon panel or "jury" of more than 1,800 ...

The Wild Bunch (1969) is director/co-writer Sam Peckinpah's provocative, brilliant yet controversial Western, shocking for its graphic and elevated portrayal of violence and savagely-explicit carnage, ...

How Green Was My Valley (1941) is one of John Ford's masterpieces of sentimental human drama. It is the melodramatic and nostalgic story, adapted by screenwriter Philip Dunne from Richard Llewellyn's ...