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The New Criterion
3 小时
The Scottish opera
Alongside this timeless insight, we are also treated to a healthy dose of Italian nationalism disguised in a Scottish ...
The New Criterion
7 天
Nonprofit nabobery
the building will be a unique asset for champions of social justice across sectors and geographies—a vibrant, fully ...
The New Criterion
7 天
An interview with an Old Masters dealer
I m eet the Old Masters dealer Ben Hall at his private Upper East Side gallery and office, which sits in a five-story ...
The New Criterion
6 天
Beethoven & Nielsen, done justice
Beethoven’s middle movement, Largo, is in E major. Bronfman played the opening like a hymn. The music had a religioso feeling ...
The New Criterion
14 天
Statistical questions about the Iowa poll
The Iowa poll is (or was) a highly respected operation whose results could not be easily dismissed. The poll has been a ...
The New Criterion
6 个月
New York chronicle
Their program was a mixed and appealing one. It included early English songs, by Purcell and Dowland; early Italian songs, by ...
The New Criterion
12 天
The people’s poetry
A Biography” by Ann Schmiesing.
The New Criterion
7 天
Belgium’s answer to Queen Victoria
David Platzer on “Louise d’Orléans, First Queen of the Belgians: A Romantic Destiny” at the Musée Condé, Château de Chantilly ...
The New Criterion
7 天
Blaisin’ in the sun
Daniel J. Mahoney on “A Summer with Pascal” by Antoine Compagnon, translated by Catherine Porter.
The New Criterion
6 天
Baroque blood & gore
Most art lovers know Jusepe de Ribera’s The Club-Footed Boy (1642) in the Louvre, but much of his work can get lost among the ...
The New Criterion
7 天
Politics & the Venice Biennale
S oo n after the opening of the 1934 Venice Biennale, Juliana Force, the commissioner of that year’s U.S. pavilion, was ...
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