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The New Criterion
3 天
Baroque blood & gore
Most art lovers know Jusepe de Ribera’s The Club-Footed Boy (1642) in the Louvre, but much of his work can get lost among the ...
The New Criterion
2 天
Beethoven & Nielsen, done justice
Beethoven’s middle movement, Largo, is in E major. Bronfman played the opening like a hymn. The music had a religioso feeling ...
The New Criterion
3 天
An interview with an Old Masters dealer
I m eet the Old Masters dealer Ben Hall at his private Upper East Side gallery and office, which sits in a five-story ...
The New Criterion
4 天
Belgium’s answer to Queen Victoria
David Platzer on “Louise d’Orléans, First Queen of the Belgians: A Romantic Destiny” at the Musée Condé, Château de Chantilly ...
The New Criterion
11 天
Statistical questions about the Iowa poll
The Iowa poll is (or was) a highly respected operation whose results could not be easily dismissed. The poll has been a ...
The New Criterion
3 天
A monumental park
Michele H. Bogart on the statues of Central Park.
The New Criterion
3 天
Nonprofit nabobery
the building will be a unique asset for champions of social justice across sectors and geographies—a vibrant, fully ...
The New Criterion
3 天
West End boys
The world did not end on time. The Doomsday Clock, tightly wound by members of the Bulletin of the Atomic Sciences since 1947 ...
The New Criterion
8 天
The people’s poetry
A Biography” by Ann Schmiesing.
The New Criterion
3 天
Monet reversionism
The Restless Vision” by Jackie Wullschläger.
The New Criterion
3 天
Blaisin’ in the sun
Daniel J. Mahoney on “A Summer with Pascal” by Antoine Compagnon, translated by Catherine Porter.
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