In light of the growing concerns surrounding coronavirus/COVID-19, and for the health and safety of our staff, members and guests around the world, the Academy and Academy Museum have decided to ...

Penelope Spheeris returns to the punk scene she first documented in 1981 and finds new bands equally as inflammatory as their predecessors. The powerful final chapter in Spheeris’s Decline of Western ...

One of Welles’s most sheerly entertaining efforts, Touch of Evil is a sordid noir of gray morality and striking black-and-white images, photographed by Douglas Sirk regular Russell Metty, set to the ...

Preceded by the short film Steamboat Willie (1928), with a post-screening dessert reception. Hosted by Academy President John Bailey and Oscar-nominated production designer Jeannine Oppewall. In ...

In this 1940 classic, Barbara Stanwyck stars as a shoplifting New Yorker who after a series of mishaps, ends up spending a family Christmas at prosecutor Fred MacMurray’s Indiana home. With impeccable ...

The Academy and The New York Times present a special screening of an Academy Film Archive print of Network. This scathing satire of network television riveted audiences in 1976, produced one of the ...

Producer Sam Spiegel (The African Queen, Lawrence of Arabia) hired Orson Welles to both direct and star in this suspense thriller, written by Anthony Veiller and an uncredited John Huston. In one of ...

In the performance that would define his career, Marlon Brando plays Terry Malloy, a onetime prizefighter now resigned to backbreaking work as a longshoreman on docks ruled by a ruthless union boss ...

After the screening, co-writer Katie Dippold (The Heat, “Parks and Recreation,” “MADtv”) will participate in a discussion about adapting the screenplay from the 1984 original. About the film: ...