Carolina López Moreno, Bolivian-Albanian Soprano, born and raised in Germany, is a versatile, award-winning artist, and is ...

It’s been a busy summer for tenor Alek Shrader. He’s coming off a run of “Idomeno” as Arbace at the San Francisco Opera. He’s ...

Mezzo-soprano Helen Charlston is rapidly making a name for herself in the world of classical music, especially for her ...

Federico Fiorio is a male soprano, specializing in the baroque. I first came across him on his professional debut in 2018 ...

“Black Diva of the Thirties: The Life of Ruby Elzy,” by David E. Weaver is available from the University Press of Mississippi ...

From the title role in "Carmen," one of the most coveted mezzo roles, to Dorabella in "Cosi fan tutte," a traditional soprano ...

Peter Gelb is criticizing the United States government for abandoning Ukraine. During a concert at the Kyiv Camerata, the Metropolitan Opera’s General Manager took the stage to reinforce the company’s ...

The New National Theatre Tokyo is on the rise. Fresh off its announcement earlier this year that the company would be hosting the 2028 World Opera Forum, the organization has committed to expanding ...

An egomaniac goes on an obsessive revenge tour to heal his bruised ego, in the process destroying himself and the entire community that he is supposed to lead and protect. In a way, “Moby Dick” is a ...

The curtain rose on Egyptian tombs. In the center, a rope came down and with it an archeologist. As he reached the bottom to get off the rope, he fell to the ground, the sound of his body crashing ...

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the ...

When Jane Marsh made her Italian and European début at the Festival of Two Worlds in Spoleto, Italy singing the demanding part of Desdemona in Giuseppe Verdi’s “Otello,” she was just past her teens.