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The New Criterion
6 天
Nonprofit nabobery
the building will be a unique asset for champions of social justice across sectors and geographies—a vibrant, fully ...
The New Criterion
6 天
An interview with an Old Masters dealer
I m eet the Old Masters dealer Ben Hall at his private Upper East Side gallery and office, which sits in a five-story ...
The New Criterion
5 天
Beethoven & Nielsen, done justice
Beethoven’s middle movement, Largo, is in E major. Bronfman played the opening like a hymn. The music had a religioso feeling ...
The New Criterion
6 天
Monet reversionism
The Restless Vision” by Jackie Wullschläger.
The New Criterion
6 天
Blaisin’ in the sun
Daniel J. Mahoney on “A Summer with Pascal” by Antoine Compagnon, translated by Catherine Porter.
The New Criterion
6 天
Baroque blood & gore
Most art lovers know Jusepe de Ribera’s The Club-Footed Boy (1642) in the Louvre, but much of his work can get lost among the ...
The New Criterion
6 天
Politics & the Venice Biennale
S oo n after the opening of the 1934 Venice Biennale, Juliana Force, the commissioner of that year’s U.S. pavilion, was ...
The New Criterion
6 天
Fashioning history
Brooke Allen on “All the Rage” by Virginia Nicholson.
The New Criterion
6 天
Ghiberti versus Donatello
Eric Gibson on the influence between the two contemporaries.
The New Criterion
6 天
Old fools
Infinite are the numbers of fools,” as one of the exhibition’s wall quotes from the Douay-Rheims Bible (1582) has it. The ...
The New Criterion
6 天
Faux fascisti
James Bowman on the charge of “fascism.” ...
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